In order to do that, he composed the beginning of the first four movements of his work for four different sections of the orchestra, and the last one for the orchestra as a whole.ĭutilleux composed some of his works for great musicians such as Mstislav Rostropovitch, for whom he wrote A whole distant world (1970) and Trois strophes sur le nom de Sacher (1976). On the contrary, for Métaboles (1965), he abandoned the symmetrical order of the Symphony to conceive a series of permutations of the work’s structure. The work was premiered the same year by Roger Désormière and the Orchestre National de France. 1 (1951), he conceived four monothematic movements within a symmetric structure. His early works were premieres in the same years: Quatre mélodies for voice and piano (1943) and La Geôle for voice and orchestra (1944).įor his Symphony No. In the 1940s, Dutilleux was chorus master at the Opéra de Paris and employee at the music department of the French audiovisual services (Radiodiffusion française). During these years he particularly explored the works of D’Indy, Stravinsky and Roussel. In 1938 he won the "Grand Prix de Rome" for the cantata L’Anneau du roi, and in 1939 he spent a few months at the Villa Medici, the Academy of France in Rome. In 1933 he entered the Conservatoire de Paris, where he studied with Noël Gallon, Philippe Gaubert, Henri Busser and Maurice Emmanuel.Īt the age of thirteen, in 1929, he wrote his first composition, La Fleur, after à poem by Charles-Hubert Millevoye. Henri Dutilleux began studying music at the Conservatoire of Douai.
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